Klim Type Foundry

Calibre is a sans inspired by engineered geometry

Die Grotesk was shaped in the long shadow of Helvetica, a typeface both revered and resented in equal measure. Graphic designers love it. Type designers hate it. Endlessly revived and resold, simultaneously banal and sublime, its forms feel inevitable.

A sharp, elegant serif that blends traditional French and British genres into a contemporary aesthetic. Features gently bracketed triangular serifs and distinctive hooked terminals, with horizontal head serifs providing visual stability. Designed by Kris Sowersby.

An extremely compressed version of Domaine Display for space-conscious layouts. Retains the characteristic triangular serifs and hooked terminals while maximizing vertical impact. Designed by Kris Sowersby.

A condensed width variant of Domaine Display, maintaining the sharp elegance and French-British heritage in a space-efficient form. Ideal for headlines where horizontal space is at a premium. Designed by Kris Sowersby.

Optimized for body copy, Domaine Text carries the elegance of its display sibling into extended reading. The italics draw from Deberny & Peignot's Labeurs Ordinaires Série. Added to the Cooper Hewitt Collection in 2016. Designed by Kris Sowersby.

Family is an everyday typeface based on Clearface—originally designed by father and son, Morris Fuller and Linn Boyd Benton. As an extension of its lineage, Family keeps Clearface’s easy-going curves and idiosyncrasies, while updating it for modern use.

Feijoa is a warm, personable serif with ornate embellishments

Founders Grotesk is a contemporary amalgamation of classic grotesks

Founders Grotesk Condensed is a classic sans for large sizes

Founders Grotesk Mono is a flavoursome sans with a typewriter structure

Founders Grotesk Text is a flavoursome sans that works hard at small sizes

Founders Grotesk X-Condensed is a classic sans for large sizes

Geograph is a contemporary, geometric sans serif originally designed for National Geographic

Martina Plantijn is a better Plantin

Martina Plantijn is a better Plantin. Informed by the workhorse qualities of Frank Hinman Pierpont’s typeface and expanding upon his research of 16th century type at the Plantin-Moretus Museum in Antwerp, Martina Plantijn makes decisive digital updates across its roman and italic cuts.

Metric is a geometric sans inspired by Berlin street signs

National is a deceptively simple sans with a distinctive personality

Newzald is a full-blooded serif with ornate embellishments

Signifier is a Brutalist response to 17th century typefaces. Designed by Kris Sowersby, Signifier’s digital immateriality draws on a deeply material past. Acknowledging the processes and tools of digital form-making, Sowersby worked consciously with the computer to recast the lead, antimony, and tin of the 17th century Fell Types into ones and zeros. Signifier emerged from this alchemy with Bézier curves and sharp vectors determined by machine logic and a Brutalist ethos.

Söhne is the memory of Akzidenz-Grotesk framed through the reality of Helvetica

Söhne Breit is the memory of Akzidenz-Grotesk framed through the reality of Helvetica

Söhne Mono is the memory of Akzidenz-Grotesk framed through the reality of Helvetica

Söhne Schmal is the memory of Akzidenz-Grotesk framed through the reality of Helvetica