From a slightly unorthodox perspective, José Manuel Urós’ DINosaur can be considered a revival. The first iteration of DINosaur—which corresponds to the family’s bold weight—was based on a style found in a technical calligraphy manual for industrial lettering. The references used for the system reflect an era where industrial labeling was typically handwritten—either drawn freehand or by ruling with stenciled alphabets. DINosaur’s extreme roundness is not strictly ornamental, but rather an artifact of tracing to generate mechanical forms; Type-Ø-Tones 2016 For additional license options like app and enterprise, visit DINosaur on [Type Network](https://store.typenetwork.com/foundry/type-o-tones/fonts/dinosaur).
